Monday, May 30. 2022CBID - And they play Chuck Berry music - part 3
CBID is the Chuck Berry International Directory, a 2.200 page pile of Chuck Berry records information published in four volumes between 2008 and 2013. For details see the bibliography section of this site.
CBID is never complete as new records and CDs appear and some old rarities are discovered. This section presents interesting additions and corrections to CBID. Today: The more you browse the Internet, the more cover versions you find. Here's another list of artists and band playing Chuck Berry's music. [continued] Two more in the NO Chuck section: A & M TWO GENERATIONS (West Germany) Alfred Fäth (bass, harmonica), Manfred Fäth (guitar, vocals, harmonica, drums) from Aschaffenburg, Bayern. Let It Rock (2:40) 1975 LP: Hemo [Sound Record PA-4/75] ● West Germany, 1975 Nice to find another cover of this obscure Berry track “Louie To Frisco”. See also George Thorogood, page 1559. A-BONES (USA) Garage rock band from Brooklyn, New York, formed in 1984. The group originally disbanded in 1994 but reunited in 2004 and again in 2009. Tulane (3:33) 2014 (live) LP/CD: Ears Wide Shut [Norton Records ED/CED-93] ● USA. 2014 Recorded live at the rehearsal room on Super Bowl, 2 February 2014. WOLFGANG BERNREUTHER, THOMAS FEINER, LEO “BUD” WELCH (Germany, Sweden, USA) Blues musicians. Wolfgang Bernreuther [from Neumarkt, Oberpfalz, Germany] (vocals, guitar) & Leo “Bud” Welch [born 1932 in Sabougla, Mississippi; died in December 2017] (vocals, guitar), Thomas Feiner [born 1968 outside Gothenburg, Sweden] (vocals, harmonica), Tommy Gedon (guitar), Jimbo Mathus (piano), Starling Browning (guitar, vocals), Beata Kossowska (maracas), Harry Hirschmann (bass), Bronson Tew (drums) Wee Wee Hours (4:57) 2017 (live) LP: Don’t Let The Devil Ride [Grooveland GL-114] ● Germany, 2019 Album recorded live at Dial Back Sound, Water Valley, Mississippi, 7 & 8 June, 2017. BOGGIE LEG (Sweden) Johan Wigge, singer, songwriter, guitarist. He also plays harmonica. He’s joined by Anders Krusell (bass) and Stefan Wållberg (drums, vocals). Oh What A Thrill (4:02) 2003 CD: Cut To The Bone [Blue Wig Productions WIGCD-0301] ● Sweden, 2004 BILLY BREMNER’S ROCKFILES (UK/Sweden) Singer and guitarist Billy Bremner (see Rockpile page 1471) and Geraint Watkins (piano), in collaboration with Swedish musicians like Bonnie Löfman (guitar, vocals), Mikael Finell (bass, vocals)= The Refreshments (see page 1444), and Peder Sundahl (drums). Produced by Mikael Finell and Peder Sundahl. Oh What A Thrill (3:58) 2018 CD: Cover It Well - A Tribute To Rockpile [Ball And Chain Records BACCD-0052018] ● Sweden, 2018 Album recorded at Studio Rock Around The Clock, Skutskär and Musikhuset, Gävle, both in Sweden. CD: A Tribute To Rockpile - Billy Bremner For President [Kool Cat Musik PURR-2142] ● USA, 2020 Let’s Make Rockfiles Great Again. This is the same album as above but has 13 tracks instead of 12 as the Swedish one. DUKES OF HAMBURG (Germany) Beat band from Bielefeld in Germany led by singer, guitarist Thilo Pieper. Pieper was also a member of an American variant of the band in the ‘90s. Beautiful Delilah (2:29) 1998 LP: Star-Club Show 1 [Dionysus Records ID-123346] ● USA, 1998 They have used the same album art work as the old ‘60s Twist Im Star-Club LPs as a gimmick. Oh Baby Doll (1:42) 1999 LP: Bad Side Of July [Dionysus Records ID-123377] ● USA, 1999 Recorded at Pin Up Studios, Hayward, California, USA. The song is wrongly credited to one Petry, but it’s the Berry song all right. On this album the group was billed as The Dukes Of Hamburg III. I’m Talking About You [as “Talkin’ ‘Bout You”] (1:54) 2016 LP: Germany’s Newest Hitmakers [Moonshake Records SHAKE-8. TFA-38] ● Germany, 2017 EXCITEMENTS (Spain) Seven piece R&B band based in Barcelona, formed 2010. Their first single came in 2010. and so far they have 4 albums out, 2011-2021. Back To Memphis (3:04) 2016 LP/CD: Breaking The Rule [Penniman Records PENN-006] ● Spain, 2016 A good soulful rendition with lead singer Koko Jean Davis in full blast. SIGGI FASSL (Austria) Blues and country singer, songwriter, guitarist. Born 1966 in Vienna. He’s also been a member of the Mojo Blues Band, a band itself also represented in the Berry covers survey. Thirteen Question Method (2:50) 2006 (live) CD: I Did The Same Mistake Again [Styx Records STYX CD-1037] ● Austria, 2009 Recorded live at Reigen in Vienna, 3 April 2006. This is an acoustic set with just Siggi and his guitar. FLAMIN’ GROOVIES (USA) See Volume 3, page 1190 for biographical info. Around And Around (3:24) 1979 (live) LP: Vaillancourt Fountain - Justin Herman Plaza - San Francisco, CA - September 19, 1979 [Rockbeat ROC-3423] ● USA, 2018 Almost Grown (2:07) 1987 (live)CD: Live At The Festival Of The Sun [AIM CD-1051] ● Australia, 1994 Recorded live at the La Merce Festival in Barcelona, Spain, 4 October 1987. GRAFITTI SINGERS (France) Probably studio musicians, however, may have something to do with the rock’n’roll trio Joint De Culasse, or not? Roll Over Beethoven (2:56) 1975 2-LP: Roll Over Beethoven [Carrere 67.054] ● France, 1975 Bye Bye Johnny (3:24) 1979 2-LP: Rock And Roll Story [Carrere 67.326] ● France, 1979 24 songs, but except for the Berry ones there are “Blue Suede Shoes”, “Tutti Frutti”, “Twilight Time”, and “Stagger Lee”. The rest looks like originals. With 10 Berry covers on a two-album set, it could almost be considered as a tribute. HENTCHMEN (USA) See Volume 3, page 1242 for biographical info. Oh Baby Doll (2:00) 1994 7” EP: Girl From Jackson [A Front Porch Record FPR-3] ● USA, 1994 Recorded in Northville, Michigan. It Don’t Take But a Few Minutes (2:12) 1995 7” EP: Gravel-Bite [1+2 Records EP-099] ● Japan, 1995 Recorded 7 April ‘95 at Nomad Studios, Michigan. BRUCE HORNSBY (USA) Bruce Randall Hornsby was born 1954 in Williamsburg, Virginia. He’s a singer, songwriter and pianist. Too Much Monkey Business (4:01) 2021 CD: Flicted [Zappo Productions/Thirty Tigers] ● USA, 2022 According to press release, this is the first ever cover song to appear on a Hornsby studio release. That should tell you somethin’. And would you believe that this is a rap version, pretty unusual, but gets a little boring in the long run. HOT PANTS (France) Rock’n’roll/punk/latin quartet. Formed in 1984. Ma Dear (2:14) 1986 CD: Loco-Mosquito [All Or Nothing Records AN-CD-02] ● France, 1986 Recorded and mixed at Studio Do in Bordeaux, May 1986. Now this is the second cover version of this obscure Berry Mercury track from 1968. (See also Joint De Culasse below.) JOINT DE CULASSE (France) Rock’n’roll trio: Manu Chao (vocals, guitar), Jean-Marc Despeignes (bass), Santiago Casariego (drums). Carol [as “Ho Carol”] (2:30) 1982 LP: Super Boum Rock’n’Roll [Force Records (Carrere) 67950] ● France, 1982 Fourteen rock’n’roll covers recorded at Studio Damiens in Boulogne, France. Hail! Hail! Another new Berry song that I didn’t know had been covered. “Ma Dear”, which Berry recorded 1 July 1968 and released on Mercury single 72840 coupled with “Louie To Frisco” (July ’68) and album “From St. Louie To Frisco” Mercury SR-61176 (October ’68). It’s okay and has a staccato funky beat and don’t sound like a Chuck Berry song. The original didn’t either, so… You can listen to it on You Tube. LA CLINIC DU DR. SCHULTZ (France) Rock band formed in 2000 by guitarist Roger Fritsch-Schultz (died in 2104) and drummer Denis Baudrillart. Roll Over Beethoven (2:20) 2004 CD: Rock ‘N’ Roll De Proximité [Patate Records PRP-022] ● France, 2004 Reelin’ And Rockin’ (2:42) 2009 CD: Rythmes Et Mélodies Du Vingtième Siècle [La Clinic Du Dr. Schultz self-released] ● France, 2009 Now this is the forth cover version of this Berry instrumental, so far. However, more rock than jazz feeling. LES BLUE SHADES (France) Beat/rock quartet. How You’ve Changed (3:11) 1965 LP: Les Blue Shades [Cameleon Records CAME-43] ● France, 2016 Previously unissued (?) I haven’t found any releases by this group except the album above which contains 12 tracks. 300 copies on colored vinyl. And I would assume that this cover is based on the version by The Animals. And by the way, if you search for this Berry song on discogs you’ll find more entries by The Animals than Chuck !!! MICKEY & LUDELLA (UK) Michael Hampshire and Sarah J. Crouch (Ludella Black). Michael has been a member (guitarist, vocals) of The Milkshakes. And Sarah has been vocalist in groups like The Mighty Ceasars (backing vocals), Sexton Ming (vocals) and Delmonas (vocals). Stop And Listen (2:16) 1995 LP/CD: Bedlam A’ Go-Go [Vinyl Japan ASKLP/ASKCD-52] ● UK, 1995 Surprise!!! Here’s another Berry title to add to the long list already. This blues ballad has never been covered before as far as I know (you can listen to it on You Tube). And I like it, as it doesn’t drag so much as Berry’s own. Originally recorded by Berry in February 1960 and included on the Chess album New Juke Box Hits LP-1456 released in March 1961. MOONLIGHTERS (Belgium) Blues-rock band. Filip De Fleurquin (vocals), Marnix Vernieuwe (guitar), Jozef Leféve (keyboards), Gust Vernieuwe (bass), Fernand Buyls (drums). Dear Dad (1:47) 1989 LP: Pains Of 17 [Blue Sting STING-013] ● Belgium, 1989 Good to see two Berry songs that have not been covered too much, strange as it is. N.R.B.Q. (USA) See Volume 3, page 1393 for biographical info. It Don’t Take But A Few Minutes (2:40) 1977 CD: Kick Me Hard – The Deluxe Edition [Rounder Records CD-3030] ● USA, 1989 Previously unissued. Only available on the Deluxe Edition. Recorded 13 October ’77. ZOOGS RIFT (USA) Robert Pawlikowski. Punk, rock, avantgarde (?) Not quite sure. Singer, songwriter, multi-instrumentalist, wrestling personality, born 1953 in Paterson, New Jersey. Have had 19 albums out since 1985, plus a couple of compilations. Died in 2011. It’s My Own Business (5:19) 1999 CD: School Of The Criminally Insane [Miss Anne Thrope Music/Zoogs Rift no cat no] ● USA, 1999 Recorded April 1999 at Lotek Studio, Marina Del Rey, California. Self-released. Another cover of this obscure Berry rocker. RISKY BLUES (Belgium) Blues band. Filip De Fleurquin (vocals), Marnix Vernieuwe (guitar), Jef Lefeve (piano), Chris De Brakeleer (drums). Rik Wolf is playing double bass on the Berry cover. Thirteen Question Method (2:56) 1995 CD: Doggin’ Around [Paradiso PA-6512] ● Belgium, 1995 So far there are now seven cover versions of this unusual Berry song. SLICKEE BOYS (USA) Psychedelic garage-rock band from the Washington D.C. area. First single release in 1976 and the first album came a year later which was the one below. No Money Down (4:04) 1977 (live) LP: Separated Vegetables [Dacoit LP-1001] ● USA, 1977 Only a 100 copies were pressed of this. The album was reissued in 1980 on Limp Records 1003. The track itself is a very typical white blues version if you get my drift. V.I.P.s (UK) Rock quintet from Carlisle, 1965-67. Original members: Mike Harrison (vocals), Jimmy Henshaw (guitar), Frank Kenyon (guitar), Greg Ridley (bass) and Walter Johnstone (drums). They had several singles and EPs out from 1964-1967. Wee Wee Hours [“Late Night Blues”] (5:37) 1966 EP: Stagger Lee [Fontana 460 219 ME] ● France, 1967 The song is actually called Late Night Blues (Wee Wee Hours), written by Berry and arranged by Greg Ridley and Mike Harrison. However, on the French EP the song is credited to Harrison/Ridley. (You’ll find it on You Tube.) YOUNG FRESH FELLOWS (USA) Rock/beat quartet formed early 1980s in Seattle, Washington..They have released quite a bit of singles and albums since 1984. I Want To Be Your Driver (2:13) 1991 CD: Gleich Jetzt [1+2 Records Barn Homes CD-028] ● Japan, 1993 Recorded at EGG studio, Seattle, Washington. Berry song previously unissued. Compilation album of 16 tracks whereas 6 have been out before. The rest were unreleased. Monday, May 9. 2022CBID - And they play Chuck Berry music - part 2
CBID is the Chuck Berry International Directory, a 2.200 page pile of Chuck Berry records information published in four volumes between 2008 and 2013. For details see the bibliography section of this site.
CBID is never complete as new records and CDs appear and some old rarities are discovered. This section presents interesting additions and corrections to CBID. Today: The more you browse the Internet, the more cover version you find. Here's another list of artists and band playing Chuck Berry's music. [continued] An Australian group called John Kennedy’s Love Gone Wrong had a single out in 1986 titled “Run Rudolph Run” which is not the Berry number strangely enough. It’s a self written song where they use the title between the verses. It sounds like a leftover from the Beach Boys in the ‘60s. Again it’s always a chance to take if you haven’t heard the song, and this is a very good example. ALARM CLOCKS (USA) Originally a garage rock trio from Parma, Ohio, formed in 1965. Bruce Boehm (guitar), Mike Pierce (vocals, bass), and Bill Schwark (drums). They recorded a single in ’66 released on their own Awake label. Nothing happened and the band disbanded in 1967. The single though became later on popular among collectors and in 1996 turned up on a compilation album “Back From The Grave”. Various old songs made up an album “Yeah!” on Norton Records in 2000. The group reformed in 2006 and added a fourth member, guitar player Tom Fallon, and they had a new album out on Norton. Busy guys. Carol ( : ) 2009 (live) LP: Live Nov.7, 2009 [My Mind’s Eye Records NME-003] ● USA, 2010 Recorded live at the Beachland Tavern, Cleveland, Ohio. Limited Edition of 300 copies. Record has a white cover with artwork pasted on and insert with song titles, and the labels have handwritten song titles. ARA VA DE BO (Spain) Nuri* (lead vocals), Ricard Casals** (lead vocals), Joaquin "Max" Sunyer (guitar), Josep "Kitflus" Mas (keyboards), Primitiu Sancho (bass), Jordi Colomer (drums). Carol** (2:59) 1977 (Spanish lyrics) LP: Ara Va De Rock [Pardal 709 L.P.] ● Spain, 1977 Seems like this is an educational album for children. AUTOMATICS (UK) Punk-rock quartet. They had a single out in 1978 and later a few in the 2000s, and seven albums from 2000 to 2009. You Can’t Catch Me (3:49) 2000 LP: The Missing Album [Destroy Records BURN-001] ● UK, 2000 BARBARA STANN (Spain) Rock quintet, all men despite the band name. Hector Fernandez (vocals, ac.guitar), Jorge Garcia (el.guitar, vocals), Pedro Pasamontes (guitars), José Antonio Danta (bass, vocals), and Sergio Ramos (drums, vocals). Add. musician: Lluis Vidal (piano). Carol (2:31) 1992 CD: Another Girl [3 Cipreses CR-9C-0910] ● Spain, 1992 Okay rockin’ version but the Spanish one sounds best. The CD has 15 tracks, but the LP* only features 11 tracks, which means the Spanish version is not included. BASICS (Australia) Rock trio, formed 2002 in Melbourne. Michael Hubbard (lead guitar, vocals) replaced by Tim Heath in 2005, Kris Schroeder (bass, vocals), Wally De Backer (drums, vocals). Most of their songs are originals, often written by Kris Schroeder, so it’s interesting to see they selected a Berry tune to cover, where they, by the way, are enhanced by a horn section. You Never Can Tell (3:05) 2019 LP: B.A.S.I.C. [The Three Basics 3B0170562] ● Australia, 2019 But a pretty ordinary version. CARROLL BATEMAN And The UNTOUCHABLES (USA) Singer and guitarist together with Ted LeMire (saxophone), Tom Vanyo (bass, vocals), Richie Pommer (drums). No Particular Place To Go (2:50) 1966 (live)? LP: Songs From Last Night [Smigar Records M-101] ● USA, 1966 I have a feeling this is very local. Record label out of Minneapolis, Minnesota. BETTERDAYS (UK) Rhythm & blues quintet from Plymouth. Mike “Shane” Hayne (lead vocals). Richard Broczek (guitars), Bob Pitcher (keyboards, vocals), Mike Weston (bass, vocals), Frank Tyler (drums). Formed in 1960 as a rock’n’roll group but who more and more added rhythm & blues to their repertoire. They released an EP on the Oak label in the early ‘60s and a single in 1965 on Polydor, but promotion and sales were poor so they disbanded in 1966. Too Much Monkey Business (2:10) 1994 CD: No Concessions [Aftermath NAFT-1001] ● UK, 1994 This re-issue in 2017 contains more songs than the 1994 version. The album has both early unreleased songs and newer recordings from the reunion of the band in 1994. BLACK CAT JOE & MISS CORINA (France) Black Cat Joe (vocals, guitar, harmonica, bass drum & cymbal), Miss Corina (washtub bass, maracas, tambourine). I have found two albums and two EPs by them. They play folk blues and primitive rock’n’roll. You can find several You Tube clips where they a.o. perform both “Carol” and “Roll Over Beethoven”. Johnny B. Goode ( : ) 2013 CD: A Thousand Miles From Nowhere [Kerozen, no cat number] ● France, 2013 BLACK LIPS (USA) Flower-punk band from Atlanta, Georgia formed in 1999. They have released over 12 albums and a LOT of singles and EPs since 2002. Too Much Monkey Business ( : ) 2004 (live) 7” 33 1/3 EP: Live At The Jam Club [Shake Your Ass Records SYA-009] ● Italy, 2004 Recorded live on a two-track at Jam Club in Mestre, Italy (near Venice). Limited numbered edition. BLACK KNIGHTS 2005 (UK) Back in the ‘60s, really 1965, they had a single out on Columbia “I Gotta Woman” produced by George Martin. This reunion band consisted of Mal Jefferson (guitar, harmonica, vocals), Frank Hopley (piano, vocals), Ritchie Ballard (bass), Allan Schroeder (drums, vocals), the latter was a founding member of the original group. Johnny B. Goode (3:20) 2005 CD: Back In Black [Mastersound MS CD.570] ● UK, 2005 LYNDA CARTER (USA) Lynda Jean Cordova Carter from Phoenix, Arizona, born in 1951. She’s an actress and singer. Won Miss World USA in 1972. Played the role of “Wonder Woman” for three seasons in the ‘70s TV series. So far she has released four studio albums, from 1978-2018. You Never Can Tell (C’est La Vie …) (3:21) 2011 CD: Crazy Little Things [Potomac Records PP-4003] ● USA, 2011 Pretty good pop version. CASH (USA) Rock quintet. Kathy Turner (vocals), Howard “Bunk” Beenken (guitar), Isaac Josef Anthony (organ), Tim James (bass), Hank Laake (drums) Johnny B. Goode / Roll Over Beethoven [in a rock’n’roll medley] (10:10) 1972 (live) LP: Caught Live At The Golden Hawk [Catch Records LAM-128] ● USA, 1972 Recorded live at the Golden Hawk on 9 September 1972 in Des Moines, Iowa. In addition to the Berry covers the medley consists of: Long Tall Sally, Great Balls Of Fire, Shake Rattle And Roll and Whole Lotta Shakin’ Goin’ On. CHANTAL (Germany) German classical group or instrumental-ensemble with ten to fourteen musicians gathered. Roll Over Beethoven (4:54) 2003 (live) (instr) CD: Live At The Cavern [Zounds Music 27000 60022] ● Germany 2003 Recorded live at The Cavern Club in Liverpool 22 February, 2003. This is in a series titled Audiophile Edition – Volume 4. CO-DEPENDENTS (Canada) Rock’n’roll-country quartet from Calgary, Alberta, consisting of Billy Cowsill (lead vocals, ac. guitar), Steve Pineo (el. guitar, vocals), Tim Leacock (bass, vocals), Ross Watson (drums). They existed from 1998 to 2004. You Never Can Tell (3:02) 2001 (live) CD: Live At The Mecca Café – Volume 2 [Indelible Music NIRC-0009] ● Canada, 2006 Album recorded live at the Mecca Café in Calgary, 27, 29, 30 June 2001. Here we have 18 mostly covers of rock’n’roll, soul, R&B songs from various well known artists and groups. CORMAN (France) Alias Marc Simon, a multi-instrumentalist, singer, songwriter. In the ‘90s he performed and recorded with Claude Saut as Corman & Tuscadu. He’s also recorded a lot as Marc Simon. To be quite honest I am not sure where he’s from, France or Italy? Most of the albums by him are from France. It’s not easy when you have songs recorded in French, English, Italian and German. Carol (4:09) 1997 CD: Anatomia [Baracca & Burattini 489171 2] ● Italy, 1997 I have only found one release of this album from Italy. And this is also the only release as Corman. CRAZY ROCKERS (Netherlands) Four piece indo-rock band. See Volume 3, page 1146 for biographical info. Bye Bye Johnny (2:32) 1964 LP: Drivin’ With The Crazy Rockers [Delta DL-502] ● Netherlands, 1964 Reelin’ And Rockin’ (2:13) 1964 45: Delta DS-1116 ● Netherlands, 1964 (PS) You Never Can Tell (3:21) 1998 CD: In Session [KoKo Records 98201] ● Netherlands, 1998 Vocals by Sugar Lee Hooper. CREOLE STRING BEANS (USA) Six piece Swamp pop/R&B group from New Orleans, Louisiana. You Never Can Tell ( : ) 2009 CD: Creole String Beans [String Bean Music SM-001] ● USA, 2009 Recorded at Word Of Mouth Studio, New Orleans. There are a couple of live performances by the band of this song on You Tube. CROSSTONES (USA) A rock band led by guitarist Bobby Emmons. Run Rudolph Run (2:46) 1980 LP: It’s Christmas Time [Clifton Records CL-2001] ● USA, 1980 This runs too fast in a country rock way, enhanced by a horn section which makes it a little nagging. Record label out of Clifton, New Jersey. KIKKI DANIELSSON (Sweden) See Volume 3, page 1153 for biographical info. Run Rudolph Run (2:42) 2016 CD: Christmas Card From a Painted Lady [Universal Music UNI-0602557-24198] ● Sweden, 2016 Slower and pretty dull version, unfortunately. DELILAH DeWYLDE And The Lost Boys (USA) Delilah DeWylde (vocals, upright bass), Lee Harvey (guitar), and DJ McCoy (drums). Delilah hails from Western Michigan and started with her high octane rockabilly back in 2004. She’s released three albums and two EPs from 2008-2012. Run Rudolph Run ( : ) 2012 45: Merry Christmas From Delilah DeWylde… [Girl Friday Records GFR-003] ● USA, 2012 Released in limited quantities; 100 copies on green vinyl, and then re-issued in 2013 on red vinyl with 130 copies. DOLLHOUSE (Sweden) Garage rock band from Enköping, Sweden. They were active from 2000 to 2011. Unfortunately no info when the Berry number below was recorded. Too Much Monkey Business ( : ) 2010 (?) 45: Ghost Highway Recordings GHR-130 ● Spain, 2016 Interesting release with Dollhouse on one side with the Berry number and Jake Starr And The Delicious Fullness on the other with a Bo Diddley cover “Gunslinger”. There are two picture sleeves (color drawings), the Berry side has a “Dollhouse” leaning on a jukebox like on Berry’s LP “New Juke Box Hits”. The Diddley sleeve is showing “Jake Starr” in disguise as Bo as on his Checker LP “Bo Diddley Is A Gunslinger”. Limited editions of a 100 hand numbered copies each on black, green and blue vinyl. MAX SUNYER (Spain) Real name Joaquin Antoni Sunyer Llop. Jazz-rock guitarist, born in La Pobla de Massaluca, Terra Alta in 1947. He’s been active since the mid ‘60s. He studied classical guitar playing from the late ‘60s during four years. Musicians on the album below are: Jordi Querol (vocals), Max Sunyer (guitar, harmonica), Pepe (bass), J. M. Vilaseca (drums). Carol (2:53) 1972 CD: 1972 [PDI S.A. F-80.3325] ● Spain, 1994 (reissue) I can’t seem to find the original album, so maybe this is something that never came out originally(?) It’s a straight rock’n’roll album with ten tracks and again Berry’s music is represented the most. Saturday, May 7. 2022Run! Rudolph, the Red-Nosed Reindeer – and the copyright mystery
[original post published Dec. 2013 - addition May 2022]
It's Christmas time and while listening to the radio, from time to time you'll hear one of the various cover versions of Berry's Run Rudolph Run. Berry's??? While everyone will tell you that this is a typical Chuck Berry song with a typical Berry melody (later re-used at the same session for Little Queenie) and typical Berry lyrics (Said Santa to a boy child, "What have you been longing for?" — "All I want for Christmas is a Rock and Roll electric guitar!"), all over the Internet you will read that this song was written by Johnny Marks and Marvin Broadie! And this includes Wikipedia … With the help of three fellow Berry experts, biographer Bruce Pegg, discographer Morten Reff, and sessionographer Fred Rothwell, I've tried to sort out a few facts from the rumors. In 1939 Robert L. May wrote the story of Rudolph, the red-nosed reindeer, first for his daughter Barbara, later as a giveaway booklet for his employer, the Montgomery Ward Company. Ward's was the first owner of the Rudolph copyright. In 1946 the copyright was transferred back to May and today belongs to The Rudolph Company, L.P., that means May's heirs. In 1949 Johnny Marks, husband of May's sister Margaret and both a songwriter and radio producer, took the tale and created the famous Christmas song Rudolph, the Red-Nosed Reindeer. The singing cowboy Gene Autry seems to be the first who recorded the song (though some sources name Harry Brannon) and made it a huge hit. Copyright to the 1949 Rudolph song is owned by Marks own publishing company called St. Nicholas Music, Inc. In 1958, Chuck Berry recorded his version of a Christmas story named Run Rudolph Run. The original Chess release 1714 came with this authors line: (C. Berry Music — M. Brodie) / ARC BMI Chuck Berry Music, Inc., Berry's company, is listed here as the author as it is on most Chess singles starting with Beautiful Delilah up to Ramona Say Yes. For some reasons, probably financial, it seems to have made sense to use a company name here instead of an individual's name. As the melody is pure Chuck Berry, it's no wonder that Chuck Berry Music, Inc. claimed authorship and that ARC, the Chess/Goodman publishing company, claimed copyright. But, mystery #1: Who is "M. Brodie"? Chuck Berry using a co-writer? A person named M. Brodie does not exist on the Internet. Not as a songwriter nor in any relation to a record company. So if M. Brodie was a songwriter, Run Rudolph Run is his or her only published work. But M. Brodie might also have been someone Berry or the Chess Brothers wanted to give a favor (money/fame) – as they did with Alan Freed on the original Maybellene record. Or M. Brodie might be just a pen name such as "E. Anderson" on Let It Rock who was Berry in disguise. In the ASCAP authors database, the co-writer of Run Rudolph Run named M. Brodie is identified as member number 268788988. While it's strange that Run Rudolph Run even exists in the ASCAP database because the original single clearly refers to the rival songwriter organization BMI, it becomes even more strange: Member number 268788988 has additional entries for songs he wrote or co-wrote. All these additional songs stem from albums recorded by a late 1990s group called the Soultans of which a Marvin Lee Broadie was lead singer. And Marvin Lee Broadie indeed wrote some Soultans songs such as Cross My Heart on their Love, Sweat and Tears album. But if you look at Broadie's photo on his concert management site, I strongly doubt he was even born when Berry's Rudolph hit the record stores. Or, as Bruce Pegg puts it: So unless this songwriter wrote one song in 1958, then had 40 years of writers block only to surface again as a writer for a German pop band at the end of the 90s, this Mr. Broadie is not our man.And don't overlook the different spelling of M. Brodie and Marvin Broadie. So let's go to mystery #2: Up to today on all Chess records or re-releases Berry's recording is always credited to Berry/Brodie or just Berry, this includes the latest HIP-O-Select boxes. In contrast, the ASCAP database and almost all cover versions name the songwriters as Johnny Marks and Marvin Broadie. Marvin Broadie aside, what has Johnny Marks to do with the Berry song? Wikipedia claims that Marks indeed wrote the song, though Wikipedia fails to give a source for this claim. Is it likely that Marks wrote the Berry tune? Not if you compare Run Rudolph Run to Autry's hit record. But if you knew that in 1958 Marks wrote Brenda Lee's Rockin' Around the Christmas Tree, that story might not be too far away. Our mysterious M. Brodie could be an alias for Johnny Marks, which allowed him (an ASCAP songwriter) to team up with Berry (a BMI songwriter). However, while this is possible, I don't believe it. More likely is a different, more logical link to Marks. His publishing company St. Nicholas Music, Inc. is very strict about copyrights. And in fact the company was created by Marks just because of the Rudolph song and to cash on its success. As such it has "exploited the name and likeness of Rudolph via trademarks in connection with a wide variety of products and services, such as musical performances, audio recordings, sheet music and other music publications" (quoted from court papers). So Marks may have forced Arc Music/Chess Records to register the song with ASCAP and under the Marks/Brodie name. St. Nicholas Music, Inc. along with Character Arts, LLC (which owns the rights to the Rudolph 1964 TV special) successfully forbids Rudolph to appear in movies unless you pay for a license. And they certainly forbid Rudolph to appear in songs as well. I'm really glad that my rights to the Rudolph name are older than theirs. Otherwise I might have feared their lawyers for using it. The mysteries remain. I am 100 per cent sure that the mysterious M. Brodie never heard himself called Marvin. This dual use of the 268788988 member number in the ASCAP database is certainly an error introduced by trying to remove variant spellings for the same writer. This is where M. Brodie was mixed up with Marvin Lee Broadie. Johnny Marks' entry to the game was most certainly due to legal reasons. I strongly doubt Marks' contribution to the song, but if you can put some light into this darkness, let me know. [Addition 31-01-2022:] Someone sent me a copy of a Facebook post by Daryl Davis, who played piano behind Chuck Berry in later years. Unfortunately I don't have a link or date to share. Daryl reports on a discussion between him and Berry in preparation for a New Year's Eve show at B.B.King's in NYC: I asked him about why Run Run Rudolph a/k/a Run Rudolph Run was often credited to Johnny Marks and somebody named Brodie. He said that he wrote the song himself but the name "Rudolph" had been trademarked and the publishing company publishing his songs had been sued for his using it. He was perturbed that the publishing company didn't fight the suit more vigorously, because Johnny Marks had nothing to do with his song and now he had to share the copyright. He also said that Brodie did not exist and it was a scheme to make more money for Marks and his publisher. He regretted not pursing it more at the time. But he still continued to make a lot of money from the song, just not as much as he was entitled to make. It was a bittersweet song for him. [Addition 07-05-2022:] In today's news there was some reporting about limitations to fair use of fictional characters in local copyright laws, in this case German Urheberrecht. A very well-known song in Europe is the title song to the 1969 TV series Pippi Longstocking. The original Swedish lyrics were written by Astrid Lindgren herself (melody by Jan Johansson). The German lyrics were written by Wolfgang Franke. 60 years after Lindgren's initial complaints about not getting compensation for use of her fictional character in Franke's text, copyright court rulings and a final settlement between the heirs explained that at least following these local laws you're not free to use the name and properties of a fictional character without sharing the income. Following this, at least here in Germany Robert May was entitled to shared copyright on the Rudolph lyrics.
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