[The first draft of this post was titled What's In And What's Not. I spent days after days listening to these 20+ hours of music. And the more I listened, the more my article became a rant about the omissions, illogical selection and strange sequence of the tracks. Some friends proofreading my writing however complained about the tone of my draft. They remembered me that what I was reviewing is not a scientific piece of work - and probably has never been intended as such. They told me to see this box as an enjoyable piece of art, which it really is. I should better concentrate on all the hidden gems in this release. And they were correct. So I started from scratch. Here's the result:]
Bear Family's original marketing material for
Chuck Berry: Rock And Roll Music â Any Old Way You Choose It (
Bear Family BCD 17273 PL) promised "all of Berry's studio recordings for Chess, Mercury, and Atco plus a selection of live performances." If you're a die-hard Berry fan or collector you probably already have all the relevant releases and that means all the studio recordings and all the live recordings. Thus except for the
beautiful books, is there any reason for you to spend $400/âŹ300 for this box?
There is! The reason is that every single one of the 16 CDs comes with at least one hidden gem which you might want to have. Let's run through them:
CD 1
The first CD contains the studio recordings up until May 1957 including the two
Joe Alexander tracks.
The hidden gem is
La Juanda (or
Lajaunda as it was incorrectly named by Chess). As you know
from this blog, there are two slightly different versions of this song. The two versions differ in the overdubbed second vocal track. On this CD 1 we get to hear the version which was originally used on the CHESS 1664 single - and only there. All later EPs, LPs, and CDs in contrast included the other variant. Thus the single version of
La Juanda is included here for the first time on CD.
CD 2
The second CD contains all the Chess recordings made between December 1957 and September 1958.
The hidden gem here is
Carol. If you compare this track to the well known and indefinitely repeated version which you hear on all other CDs it will come up as a true surprise. While we are used to
Carol sounding dull and dark, it now sounds light and clear. Finally someone took the original recording and released it in full sound quality just as it was on the original Chess single.
CD 3
The third CD covers the Chess recordings between November 1958 and early 1960.
The hidden gem on this CD is indeed an unheard-of Chess recording. Titled
Fast B6 this is another instrumental/jam/warm-up from the Chess session tapes. For the first time we hear this previously unreleased Chuck Berry recording - or should I better say Johnnie Johnson recording.
CD 4
The fourth CD completes the session which ended CD 3 and runs until August 1964.
It contains no less than three hidden gems. First you will find
I'm In The Twilight Zone which had been available on a promotional-only CD before but was omitted from the Hip-O Select set
You Never Can Tell - His Complete Chess Recordings 1960-1966 (
HIP-O-Select B0012485-02).
Also missing from this set but on this CD - and for the first time on CD at all - are the shortened versions of the songs
Chuck's Beat and
Bo's Beat such as they were first released on the single Checker 1089.
CD 5
The fifth CD starts with a session of December 1964 and runs âtil the end of 1965.
There is no direct hidden gem on this CD but we will come back to it when talking about CD 11.
CD 6
The sixth CD covers the last session for Chess in April 1966 and continues with the Mercury sessions up to March 1967.
This CD not only contains the Mercury recordings which were on the original vinyl albums. It also includes all those additional songs which were not on the original releases but hidden on the 1980s re-releases. As those 1980s CDs have been extremely hard to find, the whole Mercury stuff is a reason to buy this box. And yes, in my opinion some of the Mercury recordings are gems indeed.
But besides that also this CD contains a hidden gem. The song
Oh Captain was originally released on the album Mercury SR-61176
From St. Louie To Frisco. It always sounded strange as the two stereo channels were not in sync but offset for several seconds. This might have been by intention of artist or producer, though. Hey, it was hippie-era San Francisco where the album was finished. But it might also be just a technical fault which happened. There is no definitive answer, but Chuck Berry in an interview once complained about Mercury having destroyed his recordings.
Due to this, some Berry fan, said to be a Swedish sound engineer, had ârepairedâ the song by bringing the stereo channels back in sync. This repaired version has been floating around the Berry collectorsâ community for many years. CD 6 now comes with an "official" synchronized version of
Oh Captain, engineered by Mark Kennedy. This version clearly sounds much better than the originally released mess â at least to our ears. It may not have sounded better to a 1968 SF sound engineer on dope, though.
CD 7
The seventh CD completes the March 1967 session, runs through the remaining Mercury sessions and even includes the first session back at Chess from November 1969.
Again there is a hidden gem on it. Plus a correction for those who own the 1989 CD release of
Concerto In B Goode. If you do, you will welcome that there is now a track separator between
Put Her Down and
Concerto In B Goode. On the early and so far only CD reissue this track separator was forgotten so you couldnât access the 18 minute concerto.
But the true hidden gem is a version of
Rock Cradle Rock we haven't heard before. The new version of this tune is not really an alternate recording but a different mix having some guitar solos added. This brings the originally very short (1:22 minute) song to at least 1:51 minutes and indeed makes it better.
CD 8
The eighth CD continues in November 1969 and includes the studio recordings up to February 1972.
The hidden gems on this CD are two edited versions which have been available before only on vinyl. Both
Johnny B. Goode and
Reelin' And Rockin' from the London Chuck Berry Sessions live album
had been edited to fit on the singles they appeared on. While the full length versions have been re-released often, these two edits are available on CD here for the first time. In case you ask: the version of
Reelin' And Rockin' is the edit for the US single Chess CH-2136.
CD 9
The ninth CD starts in February 1972 and continues until August 1974.
Collectors will immediately notice a song called
You And My Country which had not been listed on the 2010 Hip-O Select set
Have Mercy â His Complete Chess Recordings 1969 To 1974 (
HIP-O-Select B0013790-02). However, the recording itself is on the Hip-O set, though called
Me And My Country. That was an error because
You And My Country is both the original title under which this song first became known when its lyrics were published in the songbook
RockânâRoll Poet and it is what Berry sings about.
The hidden gem on CD 9 is an edited version again which was only available on vinyl up to now.
Bio had been edited down half a minute to fit on the US single Chess CH-2140. CD 9 contains this edited version, while the unedited version is on CD 10.
CD 10
The tenth CD contains the remaining Chess studio sessions from August 1974. Plus.
I tried hard, but didn't find any hidden gem on this CD. It does include the full-length versions of three songs which were in edited form on CDs 4 and 9, though.
CD 11
The eleventh CD contains the 1979 studio recordings published on the Atco album
Rockit SD 38-118, but starts with 14 Chess recordings from the early 1960s.
This includes various, significantly different stereo versions of well-known Chess songs. These had been published in the 1960s and 1980s. Also included are a few alternate takes - and two hidden gems.
The first hidden gem on CD 11 is the stereo version of
Diploma For Two which had not been available on CD before. The second hidden gem is even more interesting.
Jamaica Farewell on CD 11 is the version from the UK variant of the
Chuck Berry In London album (Chess CRL-4005). This is a different recording/take from the one published in the US which is on CD 5. The differences are minor and except for the differing run time hard to spot, but this version is here for the first time on CD. It was even omitted from the Hip-O sets.
CD 12
The twelfth CD contains three Chuck Berry concerts from 1956, 1958, and 1963.
The whole 1963 show is a hidden gem as it was not heard before. From the discography we learn that Chess recorded four shows with Berry on October 25 and 26, 1963 at the Walled Lake Casino, Detroit. Only the two Saturday shows had been released on the Hip-O Select set
You Never Can Tell - His Complete Chess Recordings 1960-1966 (
HIP-O-Select B0012485-02) and even those incompletely. Here is the complete first show of Friday which was not on the Hip-O set.
CD 13
The thirteenth CD continues with the Walled Lake Casino recordings containing the complete second set of Friday and the complete two sets of Saturday. Of these three shows the first has not been available before. The other two were known for the most part, though both
Memphis and the spoken introduction were omitted from the Hip-O release. Even though there are some duplicates when Berry played the same song in multiple shows, there are also some numbers such as
Dust My Broom and
Too Much Monkey Business which are not often heard in Berry concerts. With the two sets of Friday, October 25, 1963 we get some new and interesting stuff which had been unreleased so far.
CD 14
The fourteenth CD contains the 1967 recordings made in San Francisco and first released on Berry's first official live album Mercury MG-21138/SG-61138
Live At Fillmore Auditorium. When that album was re-released on CD in 1989, Mercury added five more songs from the shows. CD 14 of the Bear Family box contains the exact contents of that 1989 CD, i.e. the more complete recording. The only difference is that here the 8:36 minute medley which starts the show is logically divided into three individual tracks.
CD 15
Very well known is the chronologically next live recording from Toronto 1969 which takes up the full fifteenth CD. This concert has been re-released on albums and CDs dozens of times. There seems to be a complete tape of this concert somewhere as several of the cheap releases include spoken introductions, stage banter and reaction to audience input. CD 15 however includes the cut-off separated songs as they were originally released on the album
Live In Concert by Magnum.
The hidden gem which was not heard on this and any other releases is a version of
Goodnight, Sweetheart, Goodnight called
Bonsoir Cherie which had been available before only on the video and DVD releases of this concert.
CD 16
The sixteenth and last CD of this set contains several live recordings from the 1970s plus one rare studio recording and some tracks which you can count as a live recording or a studio recording just as you want to.
From 1972 there is the concert from Coventry which was used for the second side of Chess album CH-60020
The London Chuck Berry Sessions. Three songs,
Reelinâ And Rockinâ, My Ding-A-Ling, and
Johnny B. Goode, were released both on this album and in heavily edited form on several Chess singles. A fourth song,
Roll âEm Pete, was even overdubbed with additional instruments and released as the flip side of Chess single CH-2140. As said above, these edited versions can be found on CD 8 of this box, some for the first time on CD at all. The original long recordings are on this CD 16 along with four more songs from this show which were first released in 2010 on the Hip-O Select set
Have Mercy â His Complete Chess Recordings 1969 To 1974.
The first hidden gems on CD 16 are two additional songs from the Coventry show plus a short instrumental and an introduction. All four tracks are released here for the first time.
In 1964 during his first tour in England, Berry and his backing band The Dominoes played some numbers at the BBC Studios for the BBC Saturday Club radio show. There was no audience, so you may argue if this is a live or studio recording, but who cares. Parts of this recording had been available before on a vinyl album
Dominoes & King Size Taylor (excerpts only) and on a poor unofficial CD
Chuck Berry In London (some tracks only and in lousy sound quality).
Thus the second hidden gem on CD 16 is that for the first time we hear the five songs complete and in very good quality. Interestingly some crackles suggest that these five songs have been transcribed from a vinyl recording, though one that wasnât available to the public.
The list of hidden gems continues with the last three tracks on CD 16. First you get the 1977 recording of Berry's version of the Dr Pepper advertising song along with the corresponding interview. Then again from 1977 there is the final live recording in this selection. This medley of
Reelinâ And Rockinâ and
Roll Over Beethoven was recorded for the motion picture
American Hot Wax about Alan Freed and as such was released on the corresponding soundtrack album. All three tracks had been available on vinyl only and are here on CD for the first time.
Summary
Thus, is the 16 CD box worth its price even if you already have all of Berry's released recordings? Definitely!
Every single one of this 16 CDs contains some hidden gem. If you'd see a single CD offered at $20 which would contain only one of those hidden gems, wouldn't you buy it?
Here we get sixteen of these! We get most of the contents of the 12 Hip-O CDs. We get the complete contents of the five Mercury CDs, each of which alone easily sold for $50, if offered at all.
And as hidden gems we get:
- one song which was forgotten on the Hip-O sets
- twelve tracks which were available on vinyl only before
- three studio recordings which had not been available before at all, and
- twenty-five (!) live recordings - all unreleased until this great box arrived.
Thus, even if you think you already have all of Berry: Think twice and get one of these boxes soon!